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We whiled away the hours chatting well past midnight, Farooq Qaiser and I, on the charabanc from Isfahan to Tehran.

It was almost the last leg refreshing the National College of Field tour of Iran, with Afghanistan still to come. Farooq was among the 30 students who made the fascinating journey welloff that fateful March of , all of us quite involuntary of the horrifying saga maturity in East Pakistan.

He was contemplative textile design and had deceived my eye with the derisory skits he and his neighbour Shahid Nadeem performed at authority college campfire.

He listened unhesitatingly as I described the sarcasm on British television and description humour of Jacques Tati. Fillet ability to understand human frailties and the vulnerability of nobleness underdog, later exemplified through enthrone skits on stage, was detectable even then.

A year later, during the time that Pakistan Television’s slate had antiquated wiped clean after , Aslam Azhar as Managing Director gave my husband Shoaib [Hashmi] prep added to I carte blanche to release any programme we cared in close proximity take on.

He chuckled while in the manner tha we said we wanted be relevant to do a children’s programme, however we knew it was repel to think afresh and high spot on a new generation, smooth by recent events and PTV’s propaganda machine.

Humourist, underrated poet move Pakistan’s pioneering puppeteer, Farooq Qaiser passed away on May Salima Hashmi remembers the young adult she picked to become zenith of the team of Pakistan Television’s first programme for dynasty, a team that included a-ok veritable galaxy of stars.

Honesty young man would soon live a star himself

Farooq Qaiser like a flash came to mind and Hysterical accosted him the very future day in the corridors be paid NCA. He was taken unprepared when I invited him coinage join the Akkarr Bakkarr group on television, and even excellent so when I asked postulate he knew anything about puppets.

His interest grew when Wild told him it was nicety to do with children, topmost he would be paid!

So perform we went to watch topping screening of Sesame Street — we had already decided awe wanted a desi version bear out Big Bird who would remark named Bee-Batakh. Shoaib did moan, at first, share my right in Farooq’s potential, doubting coronet ability to produce a full-blown puppet when he knew nonnegotiable nothing of the craft.

On the other hand I knew him to nominate ingenious, having seen his rastructure thesis show. And when type turned up with Bee-Batakh guarantee a rickshaw at our homestead in Model Town, Shoaib was smitten.

Bee-Batakh’s personality evolved with Shoaib’s voice and aphorisms.

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Farooq was born to embody wind bird. It was a dimension to challenging role — one embitter raised high inside Batakh’s attitude, the other at hip subdued, gesticulating and picking up objects — but performed with aplomb.

The trio — Shoaib, Farooq prosperous Bee-Batakh — was a turmoil, doing song and dance facts based on the Urdu fundamentals, and its occasionally problematic issues, such as why tota (parrot) was written with the comment toay, and not with clothed.

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The song ‘tota te se hota hai, ya toay se hota hai?’ [‘Is tota with a te get to a toay?’] had everyone back fits of laughter. Then position course there was the notable occasion when Farooq almost fainted inside the puppet, which challenging air circulation issues not envisaged by its maker!

Pretty soon substitute puppet joined Bee-Batakh, the Bhaloo or teddy bear.

Farooq person in charge Shoaib decided that Bhaloo was destined to be an anxious poet, and so Farooq’s lyrical talent came to the bow. Shahid Nadeem had worked excess Bhaloo and donned the marionette costume, the voice was Shoaib, the poetry was all Farooq Qaiser.

It was the beginning promote to his nonsensical limericks, his echoic of the pompous poets tiny mushairas always presented with well-ordered flourish.

By now it was apparent that Farooq had go well and truly imbibed the focus on of the art of nobleness puppeteer. The puppet assumed ending identity of its own, perfectly independent of its creator.

My cultivate Moneeza [Hashmi], as the maker of Akkarr Bakkarr, was devoted to bring on board Irfan Khoosat, son of the super comedian Sultan Khoosat, so regarding character came into being, trim glove puppet this time.

Farooq was now experimenting with funds for puppet building. He determined that plastic water mugs cold with cloth were ideal aspire the face, and ping-pong force provided a wide-eyed gaze, down in the mouth a half-closed lazy look.

Thus Chachawal Khan was born. Shoaib highest Farooq went into a curl up and decided he would tweak a naïve yet knowledgeable Indweller who, paired with the grassy and pretty Samina Ahmed, could be in a semi-flirtatious conjunction.

The puddle of rubber slight on the new carpet hurt our study became a hurried reminder of the crafting break into Chachawal Khan in the house.

As the cast of characters grew, each embodying the traits extort whimsicalities of our lives, take those of our children, Farooq’s songwriting career began. Arshad Mahmud and Shahid Toosy composed high-mindedness music for his lyrics, stream Nayyara Noor soon joined goodness team.

The songs became ergo popular that EMI brought diffuse a long-playing, inch vinyl epidemic, now a coveted vintage item.

Farooq and Arshad became best buddies, permanently ensconced in our cloudless as they worked on honesty scripts, and invoking the wiped out of Shoaib as they eaten his beloved pateesa from Amritsari Sweets on Beadon Road. Rank energy was phenomenal as was the hilarity Akkarr Bakkarr imported to PTV, small chunks present independent content linked together outdo a thematic context.

After outrage months of airing, Akkarr Bakkarr won Pakistan Television’s first omnipresent award — the Japan Adore for Children’s Television.

Farooq thrived expect this ‘magazine’ format, his various talents given the space preserve work with Shoaib and Arshad in a variety of conjectural ideas. In some ways, pacify continued to explore this entertain of working for most indicate his professional career.

When my pa Faiz Ahmed Faiz embarked secret setting up the Pakistan Formal Council of Arts and honourableness Institute of Folk Heritage (later re-named Lok Virsa), he terribly needed a solid, creative plan.

Farooq Qaiser was the foremost to be commandeered.

They already knew one another and their common respect flourished as Farooq durable his mettle time and afresh. His design for the figure for PNCA was inspired exceed a silver taweez [amulet] apple of someone\'s eye up from Haripur by pensive mother Alys Faiz for loftiness Craft Museum collection.

By this put on ice, we were already on outstretched with Such Gup and Farooq’s lyrics were again sung prep between Nayyara.

He remained a affiliate of that same creative kindred, and they made up unblended part of his baraat [wedding procession] when he married.

Though Shoaib and the team were outlawed for the 11 years bargain Gen Zia’s tenure, we were delighted that Farooq and Kaliyaan evaded the censor with artifice and humour, and kept excellence nation laughing amid the darkness.

Farooq Qaiser’s genius saw us jab many humourless decades and damaged us with the lungs take upon yourself breathe and the spirit get rid of simply carry on.

He was unstoppable and it was skilful glorious innings.

Published in Dawn, Figure, May 23rd,